Luca Staccioli’s multidisciplinary practice is research-based and process-oriented, merging sculptures, photos, videos, sounds, embroideries, drawings, and collages. 

Staccioli’s hybrid works investigate the sculptural and pictorial dimension of the everyday, observing how familiar, decorative and ubiquitous images, as well as everyday functional objects, are implicated in the entanglement of landscapes, economic efficiency and precarity, value, bodies, and subjectivities — both human and non-human.  

He won the Exibart Prize (2022), the Fabbri Prize for Contemporary Art (2018), the Fondazione Pini Scholarship (2018), and the second prize at the Talent Video Awards (2017). He was among the finalists of the Cairo Prize (2024) and among the selected artists for the Ducato Prize Catalogue (2025, 2019).

Luca Staccioli’s work has been presented in various galleries, non-profit spaces, fairs, and institutions including ArtNoble Gallery, Milan (2025, 2023), Triennale Milano (2024, 2017), Museo della Permanente, Milan (2024), Museo Gypsotheca Antonio Canova, Possagno (2024), Miart (2024), Artissima (2022), State of, Milan (2021), PAV, Turin (2019), Fondazione Adolfo Pini, Milan (2019), Riot Studio, Palazzo Marigliano, Naples (2018), Casa Masaccio and Mannozzi, San Giovanni Valdarno (2017), Cinema Anteo, Milan (2017). He collaborated with Tagli (2022), CampoBase curatorial project (2020, 2019), Castro project and HYPERMAREMMA (2019), and Atelierhaus Salzamt, Linz, Austria (2017).

He studied philosophy and subsequently embarked on an artistic career, studying painting and visual arts and curatorial studies at NABA in Milan.